可能是大卫·芬奇的电影里看得最不“爽的一部它的观影门槛太高注定不会是观众能津津乐道的电影也正是如此大片场都不看好这个项目只有Netflix一掷千金给他这个空间整部电影的核心思想其实都在开头背景介绍那段文字里了:He was given absolute creative autonomy, would suffer no oversight, and could make any movie, about any subject, with any collaborator he wished.
看一部烂片浪费两小时都被这一部救回来了特别留意到executive producer有托德·海因斯(一个信号)左耳耳环粉色里衣并腿斜坐在副驾驶座“I miss you Mark. I miss you really really bad. 而选择回归heteronormativity的Mark只能在谈泪滴宇宙时从旁偷瞄几眼怀孕的女人知道一切